The stages of grief were written for the dying. When they don’t fit a career ending, a marriage, or an empty nest, there’s another word: shedding.
What Makes You You
Watch the film of the fastest hundred meters ever run and the strangest thing about it is how little effort you can see.
Usain Bolt, Berlin, 2009. Nine point five eight seconds. Slow it down and look at his face. The jaw is slack. The hands are soft. He is moving at nearly twenty-eight miles an hour, doing the most violent thing a human body can do, and he looks almost bored. Beside him, men who will not catch him are straining with everything they have. You can see the cost on them. On him there is nothing to see.
Stu McMillan has spent thirty years coaching sprinters at the top of the sport, and he does not hedge about Bolt. “I think Usain Bolt is probably the fastest human to ever run on the face of the earth,” he told me. Not the best of his era. The fastest person who has ever lived. His reasoning is almost brutal in its simplicity. Sprinting has no hiding place and no rival sport to lose its talent to, so the fastest child always gets found. Nobody with that gift ends up somewhere else by accident. “When you look at the eight fastest humans on the face of the planet at the end of the year, those are the eight fastest humans.” There is no faster Bolt out there who slipped through. If he existed, we would have found him.
So, look again at the loose jaw. Nobody taught him that, and nobody could have. You cannot install ease in a person. It was not a technique layered onto Bolt. It was closer to a nature. It was the thing that made him him.
The First Question
Which is exactly where Stu starts. When he takes on a new athlete, the first question he asks is not what to add. It is what makes this person different from everybody else. He calls it their unique ability, and finding it is the beginning of the work rather than an afterthought to it. He has done the same on himself. He can tell you what his own is.
It sounds gentle. It is not. It means most of what a coach is tempted to do is wrong. The instinct is to reduce a person to their parts and fix the parts. Get them stronger. Get them more powerful. Add force. Stu can do all of that, and he will tell you it is the trap. He described sitting with athletes and realizing, slowly, that what they wanted out of the sport was not what he had assumed they wanted, and that he had been coaching his own assumptions into a person who never asked for them.
That idea does not stay on the track. Think of the last time someone tried to improve you by making you more like them. Think of how much of your working life is spent being optimized against a template that was never built with you in mind. The founder told to be more decisive. The dancer told to be more expressive. The executive told to have more presence, as though presence were a component that could be bolted on.
When the Template Wins
And then consider what happens when the template wins.
Stu coached a British sprinter named Jodie Williams. Between the ages of fourteen and nineteen she did not lose a race. Not one. A hundred and fifty times she lined up, and a hundred and fifty times she won, and by the end of it she was not a girl who ran the hundred and the two hundred. She was a hundred and two hundred meter sprinter. That was the whole of her. As Stu put it, “what is that going to do to your identity? Of course, that becomes your identity.”
Then she stopped getting faster. And everyone around her had the same answer, which was to move up to the four hundred, where she would be world class again. She refused for years. When she finally did it, they were right. She ran a split faster than anyone else at the World Championships, made an Olympic final, won a relay medal in Paris. By every external measure it worked.
She hated it. Stu does not soften this. “She absolutely hated it,” he said. She was running the event because she was good at it, and being good at it was not enough, because in his words, “it didn’t connect with her anymore.”
There is no tidy lesson at the end of that, which is part of why it is true. She got the medal. She also lost the thing she loved being. Both are real, and Stu carried both, and he had nudged her toward the change for years without ever forcing it, because forcing it would have meant overriding who she believed she was, and a coach who does that is not coaching a person anymore.
The Quiet Tension
This is a quiet tension. It is what this podcast listens for — in the athlete, the coach, the founder, the executive. Usually you have to go looking for it, because the whole skill of a high performer is keeping it out of view. Not the gap between wanting and getting. The gap between the self being asked of you and the self that is actually there. It is what makes a person strain. Not a shortage of drive, but drive with nowhere clean to go, curdling into effort because it is reaching toward a version of you that does not exist.
Which is why the loose jaw on the film is not a curiosity. It is the whole thing. Bolt was not the fastest man alive because someone found the right program for him. He was the fastest man alive doing the thing that was already his, without any of it lost to fighting himself.
Stu and I spent an hour on what it takes to perform at the very top without losing who you are along the way. If you have ever been asked to become a better version of someone else, that is where I would start.
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The Quiet Tension Journal Prompt
This is where it becomes yours.
Find a quiet moment, open your notebook, and write what comes.
Where in your life are you straining — not from a shortage of drive, but from drive reaching toward a version of you that isn’t quite there? Picture the loose jaw: what does it look like when you’re doing the thing that’s already yours, with nothing lost to fighting yourself? Name one place you’ve been coached, nudged, or optimized toward someone else’s template. What would it take to set that version down — and who would you be running as instead?
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